domingo, 10 de janeiro de 2016

Há beleza na poesia , há poesia na beleza, no charme , na elegância, na suavidade ...












8 Tips For Models To Make Photographers Love Them


Chrissy Blair @ Wilhelmina
CHRISSY BLAIR @ WILHELMINA
1- Don’t wear tight clothes to your shoot: If the clothing you are shooting reveals any amount of skin, you should NOT wear tight clothes to your shoot. Leave your skinniest of skinny jeans at home. They will leave impressions in your skin along the seams and waistband. That’s just one more thing we have to retouch. Showing up in yoga pants is perfectly acceptable. I promise.
2- Do your research: I realize many of you are only finding out about test shoots shortly before the shoot is to happen, but try to do at least a little research on the person you are shooting with. Ask your booker who the photographer is. Look at some of their work. Even if it’s just on your phone. Read the bio on their website. Taking some initiative and looking into the photographers you are shooting with is beneficial on multiple levels. First and foremost, it helps you be a safe, aware model. If you are uncomfortable with provocative images and you’re being sent to test with a photographer that likes to push boundaries, it’s a recipe for disaster. It also shows a bit of respect to the photographers who are shooting you. Their time is just as valuable as yours. They saw something in your book that they liked, you should at least take the time to check out their work as well.
3- Have a little imagination: Some photographers want a completely blank canvas that they can mold into whatever their vision is. However, having some imagination in front of the camera will almost always be a total hit. You’ll know almost immediately which side of this coin the photographer lies on. If he or she meticulously poses your every shot, just go with it. Some people prefer to work that way. But if they are a little more open minded, try different things. Move. The model 101 poses get boring really fast. Bring some of your own creativity to the table. Experiment. Again, MOVE!
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4- Don’t post RAWs: If a photographer sends you some preview images, don’t post them without permission. Sometimes as a photographer I like to send the model a few raw previous if I’m excited about the shoot. But they are just between you and I. This shows the images in an unfinished state that they are probably not intended to be seen by the public. It can also jeopardize any possible publication of the images.
5- Learn where your light is: Good models understand where their light is coming from. If you’re shooting in a studio, pay attention to where the photographer puts their lights. If you’re shooting outside, take not of where the sun is. USE THIS INFORMATION! Avoid turning completely away from your light. Avoid putting things in between the light and your face. It will cast a shadow on you. If you don’t know where your main light is coming from, ask! It shows initiative and helps you better understand your range of movement and how free you can be with your poses.
6- Be punctual: Try your best to show up on time. Or at least be close to it. We get it. You just came from a casting in Soho and now you have to get to an obscure studio in Brooklyn and the train isn’t running on time. Just do your best to be punctual. If you have to get from West Hollywood to downtown Los Angeles, don’t leave your apartment 15 minutes before your call time. That’s just common sense. If you are going to be late, send a quick text or call to the photographer saying “Sorry! I’m running a little late. I’ll be there as soon as possible.” For some reason this common courtesy seems lost on our industry sometimes.
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7- Tag your team: If you’re posting your images on social media, it’s common courtesy to tag the people who contributed to making the image happen. Tag the photographer, stylist, makeup artist, and anybody else who contributed. I’m not saying you need to tag the photographer’s 4th assistant and the stylist’s dog walker. But the main creative team all worked hard. Share the limelight with you. It goes a long way to make friends and you never know when someone might come in handy to you later on down the road.
Last but certainly not least…..
8- DON’T PUT FILTERS ON OUR PICTURES: We spend years honing our skills by studying and learning Photoshop and other software(or developing and printing film in some cases), taking color theory classes, and developing our skills. When we send you a final edit of an image, that’s how we’ve intended for it to be seen. Don’t cover that up with a stupid filter. It’s annoying and disrespectful. If you REALLY hate the way a photographer has processed an image, respectfully talk to them about it. Just don’t go out and throw X-Pro II on it because you think it looks cool.
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These are all very simple things you can do as a model that will make photographers love you. They’re all courteous things that will greatly put you in their favor. And you never know, maybe they’ll recommend you or book you on their next job. Word of mouth goes a very long way in this industry!

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Model
CHRISSY BLAIR    







Nas pétalas de uma rosa de espuma









Manhã de primavera
sem flor, sem aquarela
tuas cinzas esfarelas
nos céus do meu olhar


olhar
do farol quieto e soturno
como um gigante leve
irmão dos pássaros e das vagas
cativando os silêncios d'alma


alma
do cata-vento sem espadas
 das magnólias desprezadas 
do vaga-mundo
 desmundado


andarilho sem rumo-trilho
de olhos baixos, fugidios
 sem mais 
aquele intenso brilho


brilho
da noite banhada em neon
qual lua longa de asas quietas
um convite a vôos distantes
nas pétalas
 de uma rosa de espuma




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Esse encanto














Ora, é um suave sopro 
no machucado
ora, é véu que cobre
 um sonho indecifrável
ora, é céu de um sorriso
 em que me acabo





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Os sonhos não envelhecem









                                                    Durante a viagem,  juro que vi anjos brincando de rolar nesse carpet







Quem me dera
colher a flor do teu sorriso
num carinho

desfiar-te
um novelo de ternuras
bem baixinho

e quando acordar
poder lhe revelar
com que cores
e outras matizes

o amor tingirá
o nosso amanhã

 que bom 
" os sonhos não envelhecem "








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O silêncio das flores







                                                  Gérbera




Ele aprendeu observando
que o silencio das flores
é disfarce para a sedução

São elas que sussurram
quando os cílios se tocam
no beijo mais doce
no suspiro mais longo


são elas que testemunham
que o amor sobrepuja a tudo e a todos
porque talvez  o amor seja feito mesmo
dessa luz que flui dos teus olhos
e brilha soberana
sobre todas as formas
 de escuridão

Ainda que nuvens escuras
corroam a solidão
com as pontas cegas de uma crase
eis que surge novamente
tua doçura simples
de silêncios perfumados


um cacho de mil ternuras
numa flor de suavidades
sobre um monjolo

de saudades





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Saudade da minha gérbera quão linda


F.P










terça-feira, 5 de janeiro de 2016

Dentro dos versos de Nohra Fueyo






Dentro dos versos de Nohra Fueyo 

(Mariana Ianelli)



marianaianelli

Mariana Ianelli*


Começo de ano me lembra terras patagônicas, aquele horizonte aberto onde os ventos se esbaldam, onde o ar é mais puro e o passado descansa num chão de ossadas pré-históricas. Tantos navios que já naufragaram. Logos, Patmos, Perseverancia, que adiantaram nomes tão fortes? Afundaram todos entre o Pacífico e o Atlântico. São agora nomes de espetaculares falhanços, nomes dos colossos de ambição que se quebraram, a proa empinada para o céu, a popa mergulhada nas águas.


Esses imensos desertos branco-azulados, com seus navios-fantasmas, suas flores estranhas e seus silêncios, já renderam à literatura muitas páginas fantásticas. Terra das maravilhas ou terra do diabo, neste caso importa menos uma odisseia que o sentimento de uma paisagem. Importa a maneira de viver de um fazendeiro às margens do rio Belgrano, de uma tecelã num rancho em Piedra Buena ou de uma poeta nos confins de San Julián. Uma mulher como Nohra Fueyo.


Nohra busca na terra as cores das argilas como faziam os velhos índios que Fernão de Magalhães encontrou ali há quase quinhentos anos. Vive numa casinha cheia de lâmpadas, frascos e garrafas que coleciona de suas andanças pela costa. Ela esgravata a terra, ouve o canto das calhandras e escreve poemas que nenhum gigante da literatura faria melhor que os gigantes da Patagônia. Poemas sobre nuvens de alba, azuis de mares, manhãs de geada, gaivotas feito cataventos, lagartixas enluaradas, pedregulhos nos baldios e silêncios do tempo.


Começa o ano e vêm essas terras nuas, feitas de sangue, pele e alma, essas terras com suas cerimônias de sal, suas espumas de água, seus ventos em flautas de ferro, remos quietos na costa, sonhos atrás das janelas e luzes que vão se acendendo pouco a pouco, como dentro dos versos de Nohra Fueyo, poeta dos confins de San Julián.











segunda-feira, 4 de janeiro de 2016

Teu céu jamais silencia em azul














Num que de horas
que se ama mais
de olhar paras nuvens
enchidas de saudade
querendo aplausos
para os dramas que encenam
dos homens



e voar batendo asas em vertigem
feito pássaro sem pés
que não consegue pousar
dos céus dos teus encantos

colher as pétalas
que caem das palavras
vislumbre de eternidade
no suave toque entre cílios

teu céu
 jamais silencia em azul
é sempre musical 
nas cores
 da aurora boreal








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